Wednesday, 17 June 2015
Saturday, 13 June 2015
Things I learned from my first week as a beekeeper
First of all, everything you do will be wrong, at least according to someone, and that’s okay.
Take, for example, when you choose what kind of hive to get – by “hive,” I just mean the wooden box and the pieces inside, as you have to set that up before you put the bees in. All of those modern square hives come in two models, one smaller and one larger, and since every piece is made for a hive of one size or the other, beekeepers stick religiously stick with one model and swear by it. I picked the smaller version, thinking it would be easier to lift when laden with wax and honey – but when I told a local beekeeper, he talked to me about my decision in the delicate but grieving tones usually reserved for a terminal illness.
Then you need to decide where to put this wrong hive, and your spot will also be, according to someone, wrong. Most books, for example, recommend placing your hive where it will be warm and dry, protected from wind and rain. Those books were not written for people in Ireland. Who live in a bog in Ireland.
Thus, we make do -- I chose a place in a corner of our woodland, facing the bog-land and its fields of wildflowers, but wove trimmed stalks of elder between tree stumps to form a wattle-fence around part of it, sheltering it from our fierce winds.
Next you need to fill the hive with wooden frames, those rectangular slices of honeycomb that beekeepers remove to get the honey. Most hives come with slides of wax to help get the bees started, and you have to slip the wax into each wooden frame and secure them in place with wire or nails. When you have done this for all ten slides and put them into the hive one by one, you lift the hive off the shelf, set it down gently. Then you listen to the sound of several wax slides come crashing down, and do it right the second time.
You will also need a smoker – basically a cross between a watering can and an accordion -- to slow the bees down before you open up their home. Despite being the smallest animal we’ve domesticated, they are the only ones we have to sedate before approaching.
The bees will need sugar-water to get them started, before they figure out where all the flowers are in relation to their new home. This is easy to make on the kitchen stove – a kilogram of sugar per litre of water – and most hives, like ours, have a feeder attached. You don’t need to feed them continually – that would rather take away from the point of getting honey – but it does help them through the early days and again through the winter months.
You also need a bee suit, a one-piece outfit which will seem to consist mostly of zippers. Do try to seal all the zippers completely, or the neighbourhood children will see a strange, white-clad figure flailing and dancing the hokey-pokey out of the forest.
Now comes the intimidating bit: you need to buy bees and put them into your new home. You will probably do this by buying a swarm nucleus, or “nuc,” a mini-hive filled with a queen and skeleton crew of her staff to get a hive started. Whereas a full hive will have ten to twenty frames of honeycomb, a nuc will have four or five, which you remove and place in your hive. The rest of your hive will be filled with empty frames – empty but for those wax slides you put in – ready for the bees to use as they expand their population.
Remember those two basic models of hive I mentioned earlier? Since the honeycombed frames of the nuc have to be removed and placed in your hive, the nuc’s frames must be cut the same size as your hive’s. This is why beekeepers stick with only one model – I had to find someone else with the same kind of hives, who was also ready to sell nucs.
Eventually I found an old beekeeper in the Wicklow Mountains of Ireland, and drove out to his farm. He cheerfully plopped into my arms a wooden box, secured all around with duct tape and with a wire mesh at the top, and right under the mesh, a swarm of bees writhing like a single organism.
“How long will they be safe in there?” I asked, looking up at the threatening sky.
“Oh, they’ll be okay for a few days,” he said, “Just make sure they don’t get cold and are kept out of the wind and rain.”
The freezing sideways rain began on my way home over the mountains, each bump further shaking the box in the back seat, which buzzed ever more irritably with each bounce. If you must drive over mountain passes in near-zero visibility, I learned, it’s better not to hear an angry swarm of bees behind you, box or no box.
When I got home it was still lashing rain, and I learned that most bee suits are not waterproof. Nonetheless, I did set up the nuc next to the hive, their entrances parallel. Bees have amazing sense of direction, but they don’t use landmarks like we or most mammals do; they use the position of the sun and moon to create a kind of GPS. With it they can track and find the positions of hundreds of thousands of flowers each day and communicate them to the other bees – an amazing skill far beyond our abilities – but everything hinges on having the right starting point. Move the hive twenty metres to the left, and they are like cars following Google directions from a slightly wrong street – everything will turn out very badly.
Through the next few days of rain I sprayed sugar-water through their mesh to keep them fed, until the sun came out and I was ready to don the bee suit, smoke the bees and put their honeycombs in the proper hive. That was Plan A. After smoking the nuc well and removing the duct tape, I realised that the box was actually held together with screws that would require some tools and tugging to remove – Plan B.
Through all this the box was wobbled around a lot more, causing the bees to get quite agitated when the smoke wore off. Plan C was to smoke them again, until the burning material in the smoker suddenly ran out; Plan D, to stuff more in and re-light it, failed when the lighter jammed.
Plan E, finally, worked -- for my daughter to run in, get matches, run to a nearby stone, leave the matches and run the other direction while I, trailing a cloud of bees, retrieved the matches, ran back, lit the smoker, and finally calmed the bees down while I moved them. Last I checked, they were settling in fine.
Perhaps the most important thing to learn, though, goes beyond beekeeping. Many of us are trying to learn a lot of new skills, often with little proper training and limited supplies. Everything you do will be wrong, at least compared to the ideal scenarios of how-to books and videos. Don't worry about it: you'll learn as you go, and most of the time, you'll come out okay in the end.
Photo courtesy of Wikicommons.
Take, for example, when you choose what kind of hive to get – by “hive,” I just mean the wooden box and the pieces inside, as you have to set that up before you put the bees in. All of those modern square hives come in two models, one smaller and one larger, and since every piece is made for a hive of one size or the other, beekeepers stick religiously stick with one model and swear by it. I picked the smaller version, thinking it would be easier to lift when laden with wax and honey – but when I told a local beekeeper, he talked to me about my decision in the delicate but grieving tones usually reserved for a terminal illness.
Then you need to decide where to put this wrong hive, and your spot will also be, according to someone, wrong. Most books, for example, recommend placing your hive where it will be warm and dry, protected from wind and rain. Those books were not written for people in Ireland. Who live in a bog in Ireland.
Thus, we make do -- I chose a place in a corner of our woodland, facing the bog-land and its fields of wildflowers, but wove trimmed stalks of elder between tree stumps to form a wattle-fence around part of it, sheltering it from our fierce winds.
Next you need to fill the hive with wooden frames, those rectangular slices of honeycomb that beekeepers remove to get the honey. Most hives come with slides of wax to help get the bees started, and you have to slip the wax into each wooden frame and secure them in place with wire or nails. When you have done this for all ten slides and put them into the hive one by one, you lift the hive off the shelf, set it down gently. Then you listen to the sound of several wax slides come crashing down, and do it right the second time.
You will also need a smoker – basically a cross between a watering can and an accordion -- to slow the bees down before you open up their home. Despite being the smallest animal we’ve domesticated, they are the only ones we have to sedate before approaching.
The bees will need sugar-water to get them started, before they figure out where all the flowers are in relation to their new home. This is easy to make on the kitchen stove – a kilogram of sugar per litre of water – and most hives, like ours, have a feeder attached. You don’t need to feed them continually – that would rather take away from the point of getting honey – but it does help them through the early days and again through the winter months.
You also need a bee suit, a one-piece outfit which will seem to consist mostly of zippers. Do try to seal all the zippers completely, or the neighbourhood children will see a strange, white-clad figure flailing and dancing the hokey-pokey out of the forest.
Now comes the intimidating bit: you need to buy bees and put them into your new home. You will probably do this by buying a swarm nucleus, or “nuc,” a mini-hive filled with a queen and skeleton crew of her staff to get a hive started. Whereas a full hive will have ten to twenty frames of honeycomb, a nuc will have four or five, which you remove and place in your hive. The rest of your hive will be filled with empty frames – empty but for those wax slides you put in – ready for the bees to use as they expand their population.
Remember those two basic models of hive I mentioned earlier? Since the honeycombed frames of the nuc have to be removed and placed in your hive, the nuc’s frames must be cut the same size as your hive’s. This is why beekeepers stick with only one model – I had to find someone else with the same kind of hives, who was also ready to sell nucs.
Eventually I found an old beekeeper in the Wicklow Mountains of Ireland, and drove out to his farm. He cheerfully plopped into my arms a wooden box, secured all around with duct tape and with a wire mesh at the top, and right under the mesh, a swarm of bees writhing like a single organism.
“How long will they be safe in there?” I asked, looking up at the threatening sky.
“Oh, they’ll be okay for a few days,” he said, “Just make sure they don’t get cold and are kept out of the wind and rain.”
The freezing sideways rain began on my way home over the mountains, each bump further shaking the box in the back seat, which buzzed ever more irritably with each bounce. If you must drive over mountain passes in near-zero visibility, I learned, it’s better not to hear an angry swarm of bees behind you, box or no box.
When I got home it was still lashing rain, and I learned that most bee suits are not waterproof. Nonetheless, I did set up the nuc next to the hive, their entrances parallel. Bees have amazing sense of direction, but they don’t use landmarks like we or most mammals do; they use the position of the sun and moon to create a kind of GPS. With it they can track and find the positions of hundreds of thousands of flowers each day and communicate them to the other bees – an amazing skill far beyond our abilities – but everything hinges on having the right starting point. Move the hive twenty metres to the left, and they are like cars following Google directions from a slightly wrong street – everything will turn out very badly.
Through the next few days of rain I sprayed sugar-water through their mesh to keep them fed, until the sun came out and I was ready to don the bee suit, smoke the bees and put their honeycombs in the proper hive. That was Plan A. After smoking the nuc well and removing the duct tape, I realised that the box was actually held together with screws that would require some tools and tugging to remove – Plan B.
Through all this the box was wobbled around a lot more, causing the bees to get quite agitated when the smoke wore off. Plan C was to smoke them again, until the burning material in the smoker suddenly ran out; Plan D, to stuff more in and re-light it, failed when the lighter jammed.
Plan E, finally, worked -- for my daughter to run in, get matches, run to a nearby stone, leave the matches and run the other direction while I, trailing a cloud of bees, retrieved the matches, ran back, lit the smoker, and finally calmed the bees down while I moved them. Last I checked, they were settling in fine.
Perhaps the most important thing to learn, though, goes beyond beekeeping. Many of us are trying to learn a lot of new skills, often with little proper training and limited supplies. Everything you do will be wrong, at least compared to the ideal scenarios of how-to books and videos. Don't worry about it: you'll learn as you go, and most of the time, you'll come out okay in the end.
Photo courtesy of Wikicommons.
Saturday, 6 June 2015
Making Charcoal
Growing
up I knew charcoal as the square briquettes people bought in
bags and poured into the barbecue grill once a summer. Like everything else in our
lives it came from a store, chemically treated and wrapped in plastic,
with no sense that it could be made naturally at home.
Charcoal
is simply wood that has been burned with little oxygen, either by being heated but
sealed away from oxygen or, more commonly, setting it on fire and then cutting
it off from the air, keeping the wood from burning completely into ash. Most
other substances in the wood are driven off, leaving a porous shape of almost
pure carbon, lightweight and easy to transport.
It can
purify water by soaking up impurities, as in many kitchen sink filters, and
treat poison victims when crushed and drunk in a fluid. It can be added to soap for abrasion, crushed to make ink or paint or
mixed with minerals to make gunpowder. It allows people to burn fires hotter than
wood, enabling people to melt quartz into glass or make iron malleable. It was charcoal that allowed Rennaissance craftsmen to grind glass into lenses, allowing elderly people to continue reading and writing, and doubling humans' intellectual lifetime. It was charcoal that allowed people to work iron into swords and ploughshares, buildings and infrastructure; other metals can be hammered by hand, but only with charcoal fires could the Bronze Age become the Iron Age.
Perhaps charcoal's most surprising use, one that gained a burst of attention in recent years,
involves trapping carbon from the atmosphere. Vast regions of the Amazon have a distinctive and fertile soil called “black earth,” or terra preta, and recently archaeologists realised that this soil was not a naturally occurring phenomenon, but
had been cultivated over millennia. What’s more, they began
to realise that much of the sparsely inhabited Amazon rainforest was once
densely populated with humans, continually enriching the soil as they farmed.
Like many primitive societies, they burned land to clear it for farming or hunting, but
unlike many others they turned some of the wood into charcoal and then worked
it back into the soil, creating an unusually rich and fertile ground; according
to a 2006 article in Nature, bio-char
– the charcoal folded into the earth to make terra preta -- is three times
richer in nitrogen and phosphorous than ordinary soil and 20 times richer in
carbon.
According
to researcher Bruno Glaser at the University of Bayreuth, Germany, a hectare of
meter-deep terra preta can hold 250 tonnes of carbon, as opposed to 100 tonnes
of carbon in unimproved soils. In addition, the bio-char itself increases soil
fertility, which allows farmers to grow more plants, which allows more bio-char
to be added to the soil. Johannes Lehman, author of Amazonian Dark Earths,
claims that combining bio-char and bio-fuels could draw down 9.5 billion tones
per year, equal to all our current fossil fuel emissions.
Whether
or not such people are correct, the technique has drawn admirers like climate
scientists James Lovelock and Tim Flannery. As I mentioned last week, climate
change is hitting people around the world, yet we struggle to reduce our
pollution even a little, and our goal of a zero-carbon world seems ever more
hopeless. If such techniques would work in more temperate climates -- that is, if the carbon trapped by charcoal far exceeds the carbon expended to grow it, and can be trapped on a human timescale -- then everyone in the world would possess the skills to become, not just carbon-neutral, but carbon-negative.
To do any of these things, however, we first need to gain experience making charcoal at home. My daughter and I tried
three ways of making charcoal, with varying degrees of success. Since charcoal
can be created when wood is inside a heated and sealed container, I put two
metal buckets together, one upside-down and atop the other, and inside I placed
one or more pieces of wood. The crack of space between the two buckets I
plastered with clay, and around them I started a fire of some of our rotting
lumber. (Never burn treated lumber for charcoal or even in a fireplace; it has
chemicals that can be poisonous when inhaled, and I would not want to drink
water that has been filtered through its charcoal.)
I tried
to make small amounts of charcoal, one at a time, but it never worked. If the
clay plaster held, the logs inside were merely singed, and if part of the
plaster fell off – as happened more frequently – the fire caught inside until I
was left with only a few small pieces of charcoal and a lot of ash.
For the
second method I took a page from County Waterford farmer and author John Seymour and
dug a trench, lit a fire in it, tossed in some logs and covered it with
corrugated iron sheeting. Then I packed the cracks tightly with clay and plants
to seal in the oxygen, and uncovered it a few days later. This worked better, as
I did get some charcoal out of it, but the amount was still tiny.
The best
method, I found, was the one charcoal burners used from ancient times until
just the last century. I stacked logs in a triangular pattern and leaned more
upright pieces of wood around them, until I had a small and dense ring of wood
about a metre high. Then I filled the interior of the triangle with tinder and
kindling – sawdust, mulch, twigs, anything that would light easily and create
an intense heat that would burn the rest of the wood.
Then I
covered the wood with recently-cleared weeds, spread clay over the weeds, and
shovelled earth over those, until I had a mound open at the very top, with a
“chimney” that looked down into the tinder-filled space between the logs.
Next came
the big moment – I lit a fire-starter and dropped it down the middle, and
within moments had a raging fire inside the mound. I covered the top of the
mound with strips of weeds and shovelled more earth on top – the weeds and
roots served to block the entrance, so that I wasn’t simply shovelling loose
earth into the hole and putting out the fire.
The
result was a strangely smoking hill, and when it smoked too much when it
cracked and too much oxygen got in. When a hole or crack formed, I plastered
more mud and earth over that part – carefully, for the escaping steam can get
quite hot – until the leak was stopped.
Two days
later, I broke it open, and began fishing out the charcoal, and got about five
kilos from an estimated 36 kilos of wood. Most text say the charcoal can be as
much as 60 per cent of the wood by volume and 25 per cent by weight. I probably
got less charcoal because I let it burn through the night; I had to spend part
of the day building it and light it in the evening, as the constant threat of
rain here meant I couldn’t leave it overnight. Charcoal-burners, though, were
said to watch their mound for hours until the smoke turned from white to blue,
indicating they were beginning to burn charcoal, before putting the fire out to
maximise the amount of charcoal from a single burn.
With more
careful measurements, amateur scientists around the world could try such
techniques on some kind of fast-growing wood, like willow, and see if we could
do with terra preta in temperate climates what Amazonian tribes did in the
rainforest. On paper, it looks like it should work: willow can yield ten tonnes
to the acre, the charcoal would retain a quarter of that mass of the wood, and
should remain stable in the soil for decades while new tonnes are grown. All
this, though, is theory, and we won’t know unless we experiment.
Whether
terra preta turns out to help the climate or not, however, charcoal helped
create everything in the modern world, from glass (eyeglasses, greenhouses,
microscopes and telescopes) to steel (ploughshares, swords and most modern
structures) to any number of other useful innovations. Whatever happens in the
future, this is one skill we want to preserve.
Originally published in 2012.
Top photo: A piece of the charcoal we made.
Second photo: Our pile of wood.
Third photo: That same pile of wood covered in weeds and earth, with a fire lit down the chimney.
Fourth photo: The pile entirely covered in earth, with the fire still going inside.
Bottom photo: our inventory of charcoal, with a lemon for scale.
Originally published in 2012.
Top photo: A piece of the charcoal we made.
Second photo: Our pile of wood.
Third photo: That same pile of wood covered in weeds and earth, with a fire lit down the chimney.
Fourth photo: The pile entirely covered in earth, with the fire still going inside.
Bottom photo: our inventory of charcoal, with a lemon for scale.
Wednesday, 3 June 2015
Update
First of all, we have bees; I got a swarm nucleus over the weekend, and put them into the proper hive last night. This morning, before I caught the bus to work in the city, I walked back into our woodlands, put my ear against the hive, and they were humming away peacefully.
***
Grit magazine has published my piece on the edible calendar -- check it out.
***
Grit magazine has published my piece on the edible calendar -- check it out.
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