This post first appeared in December of 2011.
In this graphic novel, silent but for a few grumbles and greetings, there is no Ms. Claus, elves or secret toy-industrial complex. Father Christmas, here, is an old man living in apparently contented solitude, dutifully venturing out yearly to make his deliveries. He endures storms, fog, sleet and high winds across the world, complaining the entire way and occasionally strengthening his resolve with a drop of liquor.
Such an unsentimental portrait might sound depressing, but it makes Santa more human, and more comprehensible to my daughter, than the usual laughing caricature. Briggs makes him a hard-working man performing a service we value; Briggs could easily be showing the daily routine of a miner, a fisherman or a farmer. At one point Santa passes a milkman also making deliveries, and they exchange pleasantries without stopping – and even on Christmas morning, the milkman must make his rounds as well.
What I particularly like, though, is that Santa seems to live on a homestead. He starts his morning by using the outhouse – at least, it’s a toilet outside in the shed -- and gathers hay for the animals. He is pleased to find two winter eggs from the chickens, and has breakfast with tea. He puts coal in the small stove, similar to the one we use to burn our bog turf. You wouldn’t be surprised to see a vegetable garden or greenhouses out back.
The book doesn’t say where he lives, although children here believe Santa lives in Lapland, in Finland, rather than at the North Pole as American children do. From the tea to the Christmas pudding, though, it looks like working-class Britain in the mid-20th century, the “deeply conservative land” that David Kynaston pieces together from diaries in his impressive Austerity Britain. It’s the Britain G.K. Chesterton or C.S. Lewis might have recognised, the life an old man might have lived in Britain when the book was written in 1973.
Father Christmas and Austerity Britain would seem two very different books, but they both focus on the similar cultures, eras and intimate details of living – supper, chores, schedule. Minutiae like this bring earlier eras to life in a way most histories miss, and offer a casual vision of an austere but civilised world that we would do well to revive.
In a small room Father Christmas sleeps under quilts, in long johns, with a hot-water bottle, for heat was precious. The bed-stand looks of rough wood, as though he carved it himself, and on it he keeps his teeth and a wind-up alarm clock. He puts talc powder under his arms instead of modern deodorant. The concept of a carbon footprint was decades away when the book was written, but without adding anything for flying reindeer, Santa’s would be close to zero.
As he makes his rounds, we see English farmhouses by moonlight, and my six-year-old points out the details she recognises --- bicycles, water barrels to catch rain from gutters, sticks crossed in the garden for peas to climb. Sometimes Santa has to crawl out of the stove, for people cooked with wood or coal and the oven went to the chimney.
The whole story, of course, made more sense when it was gaining popularity in the 19th and early 20th centuries; most children were familiar with sleighs or lumps of coal, and hung their stockings by the chimney anyway, to dry. The oranges we received in our stockings were meaningless to us in the 1970s but precious to our forebears; they were from exotic lands. In “A Visit From St. Nicholas,” Mama was in her kerchief and I in my cap because the houses were cold. Children a century ago would not have found such details cryptic, any more than they would stables and mangers.
Today it might seem like that world has been completely forgotten. As we inched up the energy needle, our mainstream culture abandoned most of its traditional holidays -- Midsummer, Candlemas, Twelfth Night, May Day and many more – and swelled Christmas from a night to a shopping “season.” Christmas movies and television increasingly portrays Santa’s “workshop” as an assembly line, while news pundits annually track the spending numbers like telethon hosts.
When we take pleasure in these things, we peek through cracks in the wall of stress and excess and see another, older world on the other side, and realise there is another source of comfort and joy.