Most of the clothes we wear today are
made of oil, or coal, or gas, mixed with chemicals and turned into mylon or
rayon or some other synthetic. They will not decay as natural fibres do, and
when bits of them come out in the wash – almost every wash – they flood into
the sea. Scientists recently said they expected the ocean to soon have more
plastic per weight than fish, and we have no idea what effects it will have on
life there as it disintegrates into chemicals.
Once, though, Ireland made its own
clothes, giving thousands of people useful work – raising sheep, of course, but
also growing flax to turn into linen. Flax – ‘lint,’ they called it – made
linen cloth and canvas, string and rope. It was “a money-making crop because
there was very little work with it,” said Davy McCrory, but that was just to
grow it.
Turning it into linen was a long and
complicated process that involved uprooting the plants, removing the seeds
(“rippling”), soaking them (“retting”) in a bath (“dam”) until the outer husk
rots, drying them again, smacking the stalks to remove the rest of the husk
(“scotching”), and combing them (“heckling”). The end result was long yellow
fibres of flax that became linen cloth and canvas, and a lot of short loose
ones called “tow” – the reason long blonde hair is called “flaxen” and blonde
children are called “towheads.”
Flax had to be pulled out of the ground
rather than cut, and here too neighbours assembled to help. “You went to the
neighbour to their pulling and they come to you, so that you had eight or nine
men to attend and to pull it, all in one day,” said Annie McKillop. Then the
plants went into the dam to be soaked so all but the fibres rotted away, and
“oh the smell was wild altogether,” Francis Quinn said.
“It was the custom for the farmer whose
flax was being dressed to call at the mill with a bottle of whiskey, for all
the workers to share a drop on breaks,” Maurice McAleese said. “If this custom
was not upheld, that farmer could count on his flax being treated with less
care than the rest. The workers took two breaks, at 10 am and 3 pm, for a
snack, shot of whiskey, and a smoke.” (Back Through the Fields, 112)
Women handled the scotching and
heckling, said Martin Keaveny, “but scotching wasn’t all work for them! They
did a bit of match-making as well, planning who would make suitable partners.
There was a party atmosphere and a singsong.” It also seems to have been an
opportunity for community organising; flax workers had a reputation for being
political independents who talked back to public speakers, something we still
call “heckling.” (Growing Up with Ireland, 24)
“It was the custom for the farmer whose
flax was being dressed to call at the mill with a bottle of whiskey, for all
the workers to share a drop on breaks,” Maurice McAleese said. “If this custom
was not upheld, that farmer could count on his flax being treated with less
care than the rest.” (Back Through the Fields, 112)
Once the linen was taken to market, “it
was taken to the linen halls in Ballymena,” Harry Hume said, where cloth buyers
had strict standards and long experience examined them carefully. “The buyers
came along and pulled out the flax and they knew by the fibre whether it had
been properly retted in the dam, or properly scotched, or dried or hadn’t been
dried properly and hadn’t heated in a pile or anything.”
In our time, we have become accustomed
to clothes just showing up in stores, made by slaves somewhere and travelling
around a planet for us. We have become so used to cheap fabric that we have
stopped mending clothes when they have holes. And we have become accustomed to
widespread rural unemployment. All these problems, though, could solve each other
if we brought back some of the industries that sustained small farmers and
villages across Ireland for hundreds of years. We would also have clothes that
did not make us dependent on Middle Eastern nations where the oil is found, or
Third-World dictatorships where the clothes are made. We could clothe ourselves
again.